BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//North of Boston - ECPv6.17.5//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://northofboston.org
X-WR-CALDESC:Events for North of Boston
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260924T190000
DTEND;TZID=America/New_York:20260924T230000
DTSTAMP:20260915T182333Z
CREATED:20260915T182333Z
LAST-MODIFIED:20260915T182333Z
UID:10038159-1790276400-1790290800@northofboston.org
SUMMARY:Mike Campbell and the Dirty Knobs
DESCRIPTION:Mike Campbell was a member\, architect and co-captain of the Heartbreakers\, a band he co-founded with Tom Petty\, whom he met in a Gainesville\, Florida carport in 1972. \nWith special guest Sarah Lee Guthrie \nThe Heartbreakers lead guitarist\, Campbell co-wrote many of the Tom Petty & The Heartbreakers hits and also co-produced many of their albums – in addition to penning songs for Don Henley (“Boys of Summer”)\, Bob Dylan\, Stevie Nicks and playing on records by Aretha Franklin\, Roy Orbison and Johnny Cash. \nIn 2018\, Campbell joined Fleetwood Mac’s World Tour on lead guitar and in 2020\, Campbell released Wreckless Abandon\, the first album by The Dirty Knobs\, a group that was Campbell’s longtime side project but is now his primary musical focus. They released their second LP External Combustion in 2022 and toured the USA\, including runs opening for both Chris Stapleton and The Who. In 2024\, their third album Vagabonds\, Virgins & Misfits was the subject of extensive critical acclaim from NPR’s “Fresh Air\,” Rolling Stone\, The Los Angeles Times\, Consequence\, Salon and more. Campbell’s fourth album with The Dirty Knobs\, Mission of Mercy\, features appearances from Kate Pierson of the B-52s and Morgane Stapleton. \nIn additional to Campbell\, The Dirty Knobs features fellow Heartbreaker Steve Ferrone on drums\, Chris Holt (Don Henley\, The Eagles) on guitar and Lance Morrison (Don Henley) on bass. \nMike Campbell recently released his memoir Heartbreaker\, a fast-paced\, tender-hearted rock ’n’ roll memoir for the ages and a New York Times bestseller. Part rags-to-riches story and part raucous\, seat-of-the-pants adventure\, it recounts Campbell’s life and times as lead guitarist of Tom Petty and the Heartbreakers. \nVIP Available! Mike Campbell & The Dirty Knobs Meet & Greet Package Includes:\n– (1) premium ticket in Rows 1-5 closest to the stage \n– Photo Meet & Greet with Mike Campbell & The Dirty Knobs \n– Bring (1) Item* to Be Signed by Mike Campbell \n– First Access Merchandise Shopping \n– Commemorative VIP Laminate \n*Only small items will be accepted for autographs. We ask you not to bring large items\, like guitars or drumheads.
URL:https://northofboston.org/event/mike-campbell-and-the-dirty-knobs/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, CA\, 01915\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://northofboston.org/wp-content/uploads/2026/09/mike-campbell.png
ORGANIZER;CN="The Cabot":MAILTO:info@thecabot.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260925T190000
DTEND;TZID=America/New_York:20260925T230000
DTSTAMP:20260915T182503Z
CREATED:20260915T182503Z
LAST-MODIFIED:20260915T182503Z
UID:10038160-1790362800-1790377200@northofboston.org
SUMMARY:The Robert Cray Band - 2026 ALL AMPED UP Tour
DESCRIPTION:Blues icon. Soul man. Rock and roller. Robert Cray is all these things – and more. \nThe Georgia born\, Washington-raised musician first picked up a guitar after seeing The Beatles on TV then\, having witnessed Jimi Hendrix perform in Seattle\, determined that his destiny would also follow a similar path. And so he has: across the past half century Robert Cray’s developed into one of American music’s most singular artists. \n“I guess you’d have to say that we were lucky\,” reflects Cray on his life in music\, “because\, growing up in the 1960s\, the different music played on the radio really opened us up. I mean\, we even had Albert Collins play our high School graduation party.” \nFrom forming a teenage garage band\, through to striding the stage alongside several of the world’s greatest guitarists\, Robert Cray’s story is one of struggle and commitment. Struggle and commitment that led to Cray enjoying phenomenal success – selling millions of albums and countless concert tickets\, winning five Grammy Awards\, being inducted into the Blues Hall of Fame\, recipient of the Americana Music Lifetime Achievement Award\, designing two signature model Fender guitars – yet for Robert what’s always mattered most is the music. Every note he plays counts\, every song he sings is delivered as if it is his last: integrity and intensity are what has guided Cray’s musical career. He has never cheapened his output or delivered a substandard performance. Indeed\, his commitment to making music of the highest standard has won Cray both a loyal audience and the respect of many of popular music’s most legendary figures. \nThink about it: Robert Cray has shared stage and/or studio with the likes of John Lee Hooker\, Muddy Waters\, B.B. King\, Buddy Guy\, Chuck Berry\, Albert Collins\, The Rolling Stones\, Eric Clapton\, Tina Turner\, Stevie Ray Vaughan\, the Memphis Horns and Hi Rhythm Section. Cray’s stinging guitar playing and soulful voice\, his skills as a band leader and performer\, mark him as keeper of the flame for American roots music\, an artist who never fails to deliver. \n“We were so lucky just be able to see them\,” says Cray of trading guitar licks on stage with legends of blues\, rock and soul\, “let alone share the stage with them – what an experience!” \nCray’s rise to the top was\, like his music\, a slow burn\, he first building a following in small towns across the Pacific Northwest. Even before Cray had a record deal he enjoyed local hero status – so much so in 1978 he was cast (as a musician) in Animal House\, the blockbuster comedy that made John Belushi famous. 1978 was also the year Cray recorded his debut album\, Who’s Been Talkin’\, although Tomato Records’ internal problems held up Talkin’s release until 1980. And then\, just as Talkin’ was winning great reviews\, Tomato collapsed into bankruptcy. Got the blues? Young Robert certainly could have claimed he had them. But Cray isn’t given to complaining\, instead he persevered\, committed then\, as he is now\, to taking his music to the people. \nAfter Tomato\, Cray and his band – today consisting of Richard Cousins (bass guitar – there since high school days)\, Dover Weinberg (keyboards) and Les Falconer (drums) – used the momentum the album gave them to play further afield. By now Cray was buddies with a young guitarist from Texas: Stevie Ray Vaughan. \n“We played in 1979 at the San Francisco Blues Festival\,” recalls Cray\, “and I watched Stevie’s show and he’s just smoking. Afterwards Richard and I went up and chatted with him and we just hit it off. Stevie was great – if we were in Austin he’d always come and join us on stage.” \nSigning to Hightone\, Cray’s 1983 album Bad Influence established him internationally: he was invited to play Carnegie Hall\, toured Europe\, later finding Eric Clapton recording Bad Influence’s \ntitle track. 1985 saw Cray’s False Accusations album increase his standing as the foremost singer of blues noir songs\, while that year’s Showdown! – a sizzling collaboration with guitarists’ Albert Collins and Johnny Copeland – won Robert huge acclaim from blues musicians and fans: the new guy’s the real deal! Signing to Mercury Records\, Cray’s 1986 album Strong Persuader ensured he became the first blues/soul musician to breakthrough in the MTV era. \nStrong Persuader won Cray rave reviews from pop and rock critics\, topped charts worldwide\, saw Cray grace the cover of Rolling Stone magazine and winning the Grammy for Best Contemporary Blues Recording in 1988. Strong Persuader\, with its songs of infidelity\, guilt and unease\, while not in any sense conventional Top 40 music\, proved so strong an album it broke through barriers\, sold millions of copies and would prove extremely influential (2026 being the 40th anniversary.) Cray’s \nbreakthrough allowed both young and older blues and soul musicians to gain wide attention and radio play: John Lee Hooker’s career resurrection came soon after with The Healer\, and Robert plays on that seminal album. \n“It was great to be able to travel around the world\,” says Cray of Strong Persuader’s success. “It afforded us a lot of great opportunities that we were lucky to experience.” \nCray’s being modest here: suddenly he found himself the hottest guitarist working – Tina Turner invited Robert to support her huge European tour (every night\, after playing with his band\, Cray would join Tina on stage to play A Change Is Gonna Come)\, then Keith Richards called\, requesting Cray join the band backing Chuck Berry for Taylor Hackford’s celebratory feature length documentary Hail Hail Rock ‘N’ Roll. Here Cray not only got to play with the mercurial Berry (+Linda Ronstadt and Etta James\, amongst many notable artists)\, he also formed a friendship with Steve Jordan\, then drummer for the project and Richards’ solo band. \nNow internationally famous\, Cray found himself in intense demand: he toured with The Stones and played with B.B King\, Buddy Guy and Eric Clapton. Headlining in noted music festivals – these included Glastonbury in the UK and Crossroads Guitar Festival in the US – and kept developing his sound over a selection of strong albums across the 1990s. Cray’s songwriting has addressed ageing\, love\, loneliness\, domestic turmoil and US politics. \nAs an artist Robert Cray’s aged like fine wine – his voice has developed a greater range and expressiveness\, this he’s put to use on masterful interpretations of such Southern soul standards as I Forgot To Be Your Lover (William Bell)\, Your Good Thing Is About To End (Mable John) and Nobody’s Fault But Mine (Otis Redding). At the same time\, Cray’s guitar playing now possesses an additional depth\, a growl that can hint at a caress then signal emotional upheaval. \nHis recent run of albums – 2014’s In My Soul\, 2017’s Robert Cray & Hi Rhythm and 2020’s masterful That’s What I Heard (all produced by Steve Jordan: now the Stones’ drummer) – are amongst the very finest he’s made. Every song here is deeply felt\, whether an agonised song of loss\, an angry protest number\, or a dance tune that gets audiences pumping (My Baby Likes To Boogaloo is great funky fun). \nAcross five decades Robert Cray has created a richly inclusive American music\, revitalising both blues and soul while rocking hard with the very best. To achieve 50 years in the music industry and still be as fresh and committed as when starting out is an achievement few can boast of but Cray can: he has released 19 studio albums\, every one replete with his extremely distinctive songs\, won five Grammy Awards and continues to make music that sounds like no one but Robert Cray. “All these years we have been fortunate to do what we love doing\, playing the music we love playing\,” says Cray with a smile. “I couldn’t ask for anything more. \nVIP Merchandise Package Includes:\n-Premium Concert Ticket \n-Exclusive T-shirt -Autographed 8×10 Photo \n-Exclusive VIP Merch Item
URL:https://northofboston.org/event/the-robert-cray-band-2026-all-amped-up-tour/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, CA\, 01915\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://northofboston.org/wp-content/uploads/2026/09/robert-cray-band-2026.png
ORGANIZER;CN="The Cabot":MAILTO:info@thecabot.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260926T200000
DTEND;TZID=America/New_York:20260926T220000
DTSTAMP:20260609T165837Z
CREATED:20260609T165837Z
LAST-MODIFIED:20260609T165837Z
UID:10034787-1790452800-1790460000@northofboston.org
SUMMARY:Ana Popovic with Danielle Miraglia
DESCRIPTION:“In the 25 years since the release of her debut record\, Hometown\, tail-gunning blues virtuoso Ana Popovic has proved herself a force of nature with a vintage Stratin hand.” – Guitar World \n“Ana Popovic Melds Rock\, Blues\, and Jazz for Fiery Power” – No Depression \n“A badass with a silver Strat\, she performs the heck out of this song [“Worked Up”]\, owning it with swagger and grace. … “Worked Up” captures her love of funky grooves plus the edginess of rocking guitar power. – Rock & Blues Muse \nLos Angeles-based and critically acclaimed guitarist and singer Ana Popovic is set to release her highly anticipated album Dance To The Rhythm (Electric Heel Records) on September 26\, 2025. Produced by Popovic and Buthel\, the album showcases a groundbreaking fusion of groove\, blues\, funk\, and soul. \nBuilding on the success of her previous work\, Dance To The Rhythm pushes boundaries\, seamlessly blending infectious dance grooves (“Dance To The Rhythm” / “Sho Nuff”) with raw blues guitar and powerful lyrics. From the soulful “Soul’ution” to the funky “Hottest Ticket In Town” and the bluesy “Dwell On The Feeling”\, “California Chase\,” the album weaves a rich tapestry of musical styles\, reflecting Popovic’s masterful versatility. The track “Sisters and Brothers” channels a Steely Dan-like arrangement\, while “Hurt So Good” brings a contemporary mainstream flair. The ultimate jam comes in the form of a clever reimagining of Paul Simon’s “50 Ways to Leave Your Lover.” \nAna says: “One of my biggest strengths on stage is my ability to make people dance. Music should take you to a place where you can let go\, feel the groove\, and move. You want music to grab you\, to have a pocket that you can’t resist. —everything else revolves around it. Blues guitar has never really been part of dance music before\, and in that way\, it’s revolutionary. Guitar plays a central role in these tracks\, breaking down the boundaries created by time\, culture\, and musical traditions. With this album\, I’m pushing those boundaries.” For Ana\, blues guitar is the foundation of everything in her music. Yet\, she masterfully blends genres\, effortlessly shifting from blues to dance\, jam band\, funk\, pop\, and even gospel—it’s all part of her evolving sound.\nA true pioneer\, Ana combines her blues guitar roots with bold experimentation\, redefining the intersection of blues and dance music. Her live performances\, whether with her six-piece or eleven-piece funk band FUNTASTAFUNK\, are electrifying\, blending fierce guitar work with irresistible rhythms that compel audiences to move. \nA multi-award-winning artist\, Popovic has earned recognition from major outlets and industry figures\, including Bruce Springsteen\, who called her “one helluva guitar player.” She’s been nominated for seven Blues Music Awards\, and her latest album POWER hit #1 on the Billboard Blues Chart. Ana has shared stages with legends such as B.B. King\, Joe Bonamassa\, Warren\nHaynes\, Robert Plant\, and Gary Clark Jr.\, and is an endorsee of Fender\, D’Angelico\, Jim Dunlop\, and DR Strings. \nPopovic’s commitment to her craft and fearless boundary-pushing ensures she remains one of the most dynamic forces in contemporary blues and beyond. \nDanielle Miraglia\nDanielle Miraglia (murr-Ä L e a) comes armed with a strong steady thumb on an old Gibson\,an infectious stomp-box rhythm\, harmonica and tunes ranging from heart-felt to socially conscious that will move both your heart and hips.
URL:https://northofboston.org/event/ana-popovic-with-danielle-miraglia/
LOCATION:The Cut\, 177 Main Street
\, Gloucester\, MA\, 01930\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://northofboston.org/wp-content/uploads/2026/05/ANA-POPOVIC-POST-GRAPHIC-700-x-500-px.png
ORGANIZER;CN="The Cut":MAILTO:info@thecutlive.com
END:VEVENT
END:VCALENDAR